Showing posts with label ceramic filter. Show all posts
Showing posts with label ceramic filter. Show all posts

Saturday, February 24, 2024

Repairing a dead Kenwood TS-850S

Recently, a Kenwood TS-850S - a radio from the mid-early 1990s - crossed my workbench.  While I'm not in the "repair business", I do fix my own radios, those of close friends, and occasionally those of acquaintances:  I've known this person for many years and we have several mutual friends.

If you are familiar with the Kenwood TS-850S to any degree, you'll also know that they suffer from an ailment that has struck down many pieces of electronic gear from that same era:  Capacitor Plague.

Figure 1:
The ailing TS-850S.  The display is normal - except
for the frequency display showing only dots.  This error is
accompanied by "UL" in Morse.
Click on the image for a larger version.
This isn't the same "Capacitor Plague" of which you might be aware where - particularly in the early 2000s - many computer motherboards failed due to incorrectly formulated electrolytic capacitors, but rather early-era (late 80s to mid 90s) surface-mount electrolytic capacitors that began to leak soon after they were installed.

The underlying cause?

While "failure by leaking" is a common occurrence in electronics, this failure is somewhat different in many aspects.  At about this time, electronic manufacturers were switching over to surface-mount devices - but one of the later components to be surface-mounted were the electrolytic capacitors themselves:  Up to this point it was quite common to see a circuit board where most of the components were surface-mount except for larger devices such as diodes, transistors, large coils and transformers - and electrolytic capacitors - all of which would be mounted through-hole, requiring an extra manufacturing step.

Early surface-mount electrolytic capacitors, as it turned out, had serious flaws.  In looking at the history, it's difficult to tell what aspect of their use caused the problem - the design and materials of the capacitor itself or the method by which they were installed - but it seems that whatever the cause, subjecting the capacitors themselves to enough heat to solder their terminals to the circuit board - via hot air or infrared radiation - was enough to compromise their structural integrity.

Whatever the cause - and at this point it does not matter who is to blame - the result is that over time, these capacitors have leaked electrolyte onto their host circuit boards.  Since this boron-based liquid is somewhat conductive and mildly corrosive in its own right, it is not surprising that as surface tension wicks this material across the board, it causes devastation wherever it goes, particularly when voltages are involved.

There are some capacitors on the display/driver board on the front panel that should be replaced - but that's not where the majority of the problem lies.

The CAR board - the cause of "display dots"

In the TS-850S, the module most susceptible to leaking capacitors is the CAR board - a circuit that produces multiple, variable frequency signals that feeds the PLL synthesizer and several IF (Intermediate Frequency) mixers.  Needless to say, when this board fails, so does the radio.

They most obvious symptom of this failure is when damage to the board is so extensive that it can no longer produce the needed signals - and if one particularly synthesizer (out of four on the board) fails, you will see that the frequency display disappears - to be replaced with just dots - and the letters "UL" are sent in Morse Code to indicate the "Unlock" condition by the PLL.

Figure 2:
The damaged CAR board.  All but one of the surface-mount
electrolytic capacitors has leaked corrosive fluid and damaged
the board.  (It looked worse before being cleaned!)
Click on the image for a larger version.
Prior to this, the radio may have started going deaf and/or transmitter output was dropping as the other three synthesizers - while still working - are losing output, but this may be indicative of another problem as well - more on this later.

Figure 2 shows what the damaged board looks like.  Actually, it looked a bit worse than that when I first removed it from the radio - several pins of the large integrated circuits being stained black.  As you can see, there are black smudges around all (but one) of the electrolytic capacitors where the corrosive liquid leaked out, getting under the green solder mask and even making its way between power supply traces where the copper was literally being eaten away.

The first order of business was to remove this board and throw it in the ultrasonic cleaner.  Using a solution of hot water and dish soap, the board was first cleaned for six minutes - flipping the board over during the process - and then very carefully, paper towels and then compressed air was used to remove the water.

Figure 3:
The CAR board taking a hot bath in soapy water in an
ultrasonic cleaner.  This removes not only debris, but spilled
electrolyte - even that which has flowed under components.
Click on the image for a larger version.
At this point I needed to remove all of the electrolytic capacitors:  Based on online research, it was common for all of them to leak, but I was lucky that the one unit that had not failed (a 47uF, 16 volt unit) "seemed" OK while all of the others (10uF, 16 volt) had disgorged their contents.

If you look at advice online, you'll see that some people recommend simply twisting the capacitor off the board as the most expedient removal procedure, but I've found that doing so with electrolyte-damaged traces often results in ripping those same traces right off the board - possibly due to thinning of the copper itself and/or some sort of weakening of the adhesive:  While I was expecting chemically-weakened traces, already, there was no reason to add injury to insult.

My preferred method of removing already-leaking capacitors is to use a pair of desoldering tweezers, which are more or less a soldering iron with two prongs that will heat both pins of the part simultaneously, theoretically allowing its quick removal.  While many capacitors are easily removed with this tool, some are more stubborn:  During manufacture, drops of glue were used under the part to hold it in place prior to soldering and this sometimes does its job too well, making it difficult to remove it.  Other times, the capacitor will explode (usually just a "pop") as it is being heated, oozing out more corrosive electrolyte.

With the capacitors removed, I tossed it in the ultrasonic cleaner for other cycle in the same warm water/soap solution to remove any additional electrolyte that had come off - along with debris from the removal process.  It is imperative when repairing boards with leaking capacitors that all traces of electrolyte be completely removed or damage will continue even after the repair.

At this point one generally needs to don magnification and carefully inspect the board.  Using a dental pick and small-blade screwdriver, I scraped away loose board masking (the green overcoating on the traces) as well as bits of copper that had detached from the board:  Having taken photos of the board prior to capacitor removal - and with the use of the Service Manual for this radio, found online - I was confident that I could determine where, exactly, each capacitor was connected.

When I was done - and the extent of the damage was better-revealed - the board looked to be a bit of a mess, but that was the fault of the leaking capacitors.  Several traces and pads in the vicinity of the defunct capacitors had been eaten away or fallen off - but since these capacitors are pretty much placed across power supply rails, it was pretty easy to figure out where they were supposed to connect.

Figure 4:
The CAR board, reinstalled for testing.
Click on the image for a larger version.
As the mounting pads for most of these capacitors were damaged or missing, I saw no point in replacing them with more surface-mount capacitors - but rather I could install through-hole capacitors on the surface, laying them down as needed for clearance - and since these new capacitors included long leads, those same leads could be used to "rebuild" the traces that had been damaged.

The photo shows the final result.  Different-sized capacitors were used as necessary to accommodate the available space, but the result is electrically identical to the original.  It's worth noting that these electrolytic capacitors are in parallel with surface-mount ceramic capacitors (which seem to have survived the ordeal) so the extra lead length on these electrolytics is of no consequence - the ceramic capacitors doing their job at RF as before.  After (later) successful testing of the board, dabs of adhesive were used to hold the larger, through-hole capacitors to the board to reduce stress on the solder connections under mechanical vibration.

Following the installation of the new capacitors, the board was again given two baths in the ultrasonic cleaner - one using the soap and water solution, and the other just using plain tap water and again, the board was patted dry and then carefully blown dry with compressed air to remove all traces of water from the board and from under components and then allowed to air dry for several hours.

Testing the board

After using an ohmmeter to make sure that the capacitors all made their proper connections, I installed the board in the TS-850S and... it didn't work as I was again greeted with a "dot" display and a Morse "UL".

I suspected that one of the "vias" - a point where a circuit traces passes from one side to another through a plated hole - had been "eaten" by the errant electrolyte.  Wielding an oscilloscope, I quickly noted that only one of the synthesizers was working - the one closest to connector CN1 - and this told me that at least one control signal was missing from the rest of the chips.  Probing with the scope I soon found that a serial data signal ("PDA") used to program the synthesizers "stopped" beyond the first chip and a bit of testing with an ohmmeter showed that from one end of the board to the other, the signal had been interrupted - no doubt in a via that had been eaten away by electrolytic action.

Figure 5:
Having done some snooping with an oscilloscope, I noted
that the "PDA" signal did not make it past the first of the
(large) synthesizer chips.  The white piece of #30 Kynar
wire-wrap wire was used to jump over the bad board "via"
Click on the image for a larger  version.

The easiest fix for this was to use a piece of small wire - I used #30 Kynar-insulated wire-wrap wire (see Figure 5) - to jumper from where this control signal was known to be good to a point where it was not good (a length of about an inch/two cm) and was immediately rewarded with all four synthesizer outputs being on the correct frequencies, tuning as expected with the front-panel controls.

Low output

While all four signals were present and on their proper frequencies - indicating that the synthesizers were working correctly - I soon noticed, using a scope, that the second synthesizer output on about 8.3 MHz was outputting a signal that was about 10% of its expected value in amplitude.  A quick test of the transmitter indicated that the maximum RF output was only about 15 watts - far below that of the 100 watts expected.

Again using the 'scope, I probed the circuit - and comparing the results with the nearly identical third synthesizer (which was working correctly) and soon discovered that the amplitude dropped significantly through a pair of 8.3 MHz ceramic filters.

The way that synthesizers 2 and 3 work is that the large ICs synthesize outputs in the 1.2-1.7 MHz area and mix this with a 10 MHz source derived from the radio's reference to yield signals around 8.375 and 8.83 MHz, respectively - but this mix results in a very ugly signal, spectrally - full of harmonics and undesired products.  With the use of these ceramic bandpass filters - which are similar to the 10.7 MHz filters those found in analog AM and FM radios - and these signals are "cleaned up" to yield the desired output over a range of the several kiloHertz that they vary depending on the bandpass filter and the settings of the front panel "slope tune" control.

Figure 6:
The trace going between C75 and CF1 was cut and a bifilar-
wound transformer was installed to step up the impedance
from Q7 to that of the filter:  R24 was also changed to 22
ohms - providing the needed "IF-7-LO3" output level at J4.
Click on the image for a larger version.

The problem here seemed to be that the two ceramic 8.3 MHz filters  (CF1, CF2) were far more lossy than they should have been.  Suspecting a bad filter, I removed them both from the circuit board and tested them using a temporary fixture on a NanoVNA:  While their "shape" seemed OK, their losses were each around 10dB more than is typical of these devices indicating that they are slowly degrading.  A quick check online revealed that these particular frequency filters were not available anywhere (they were probably custom devices, anyway) so I had to figure out what to do.

Since the "shape" of the individual filter's passbands were still OK - a few hundred kHz wide - all I needed was to get more signal:  While I could have kludged another amplifier into the circuit to make up for the loss, I decided, instead, to reconfigure the filter matching.  Driving the pair of ceramic filters is an emitter-follower buffer amplifier (Q7) - the output of which is rather low impedance - well under 100 ohms - but these types of filters typically "want" around 300-400 ohms and in this circuit, this was done using series resistors - specifically R24.  This method of "matching" the impedance is effective, but very lossy, so changing this to a more efficient matching scheme would allow me to recover some of the signal.

Replacing the 330 ohm series resistor (R24) with a 22 ohm unit and installing a bifilar-wound transformer (5 turns on a BN43-2402 binocular core) wired as a 1:4 step-up transformer (the board trace between C75 and CF1 was cut and the transformer connected across it) brought the output well into the proper amplitude range and with this success, I used a few drops of "super glue" to hold it to the bottom of the board.  It is important to note that I "boosted" the amplitude of the signal prior to the filtering because to do so after the filtering - with its very low signal level - may have also amplified spurious signals as well - a problem avoided in this method.

Rather than using a transformer I could have also used a simple L/C impedance transformation network (a series 2.2uH inductor with a 130pF capacitor to ground on the "filter side" would have probably done the trick) but the 1:4 transformer was very quick and easy to do.

With the output level of synthesizer #2 (as seen on pin CN4) now up to spec (actually 25% higher than indicated on the diagram in the service manual) the radio was now easily capable of full transmit output power, and the receiver's sensitivity was also improved - not surprising considering that the low output would have starved mixers in the radios IF.

A weird problem

After all of this, the only thing that is not working properly is "half" of the "Slope Tune" control:  In USB the "Low Cut" works - as does the "High Cut" on LSB, but the "High Cut" does not work as expected on USB and the "Low Cut" does not work as expected on LSB.  What happens with the settings that do NOT work properly, I hear the effect of the filter being adjusted (e.g. the bandwidth narrows) but the radio's tuning does not track the adjustment as it should.  What's common to both of these "failures" is that they both relate to high frequency side of the filter IF filters in the radio - the effect being "inverted" on LSB.

I know that the problem is NOT the CAR board or the PLL/synthesizer itself as these are being properly set to frequency.  What seems to NOT be happening is that for the non-working adjustments, the radio's CPU is not adjusting the tuning of the radio to track the shift of the IF frequency to keep the received signal in the same place - which seems like more of a software problem than a hardware problem:  Using the main tuning knob or the RIT one can manually offset this problem and permit tuning of both the upper and lower slopes of of the filters, but that is obviously not how it's expected to work!

In searching the Internet, I see scattered mentions of this sort of behavior on the TS-850 and TS-950, but no suggestions as to what causes it or what to do about it:  I have done a CPU reset of the radio and disconnected the battery back-up to wipe the RAM contents, but to no avail.  Until/unless this can be figured out, I advised the owner to set the affected control to its "Normal" position.  If you have experienced this problem - and especially if you know of a solution - please let me know.

Figure 7:
The frequency display shows that the synthesizer is now
working properly - as did the fact that it outputs full power
and gets good on-the-air signal reports.
Click on the image for a larger version.

Final comments

Following the repair, I went through the alignment steps in the service manual and found that the radio was slightly out alignment - particularly with respect to settings in the transmit output signal path - possibly during previous servicing to accommodate the low output due to the dropping level from the CAR board.  Additionally, the ALC didn't seem to work properly - being out of adjustment - resulting in distortion on voice peaks with excessive output power.

With the alignment sorted, I made a few QSOs on the air, getting good reports - and using a WebSDR to record my transmissions, it sounded fine as well.

Aside from the odd behavior of the "Slope Tune" control, the radio seems to work perfectly.  I'm presently convinced that this must be a software - not a hardware - problem as all of the related circuits function as they should, but don't seem to be being "told" what to do.

* * * * *

This page stolen from ka7oei.blogspot.com


[END]


Saturday, July 19, 2014

Replacing the filters in the Drake SP75 Speech Processor

A few months ago I fired up my old Drake TR-7, getting on the air with some friends on 40 meters after not having used the radio for a while.

Everything seemed to work fine, at least until I switched the audio through the matching Drake SP75 Speech Processor as some of those on frequency were having a little bit of trouble hearing me on the noisy band and I started getting the following helpful comments:
Figure 1:
The front panel of the Drake SP75 speech processor.


"Ughh!"

"That sounds terrible!"

"Your 'lows' are completely missing!"

"Your audio sounds 'restricted'"

"Turn it off!"

I obliged, of course, but I also knew that in the past I could switch in the speech processor, setting it to a very low level of clipping, and no-one could really tell the difference between it being switching in and switched out, so I knew that something had definitely changed!

Later, I used some available test equipment (computers and software) to see what had changed, setting up the following:
  • Using another computer (a netbook) I ran the Audacity  (link) program, a free, open-source audio editor.  Using that program, I generated 5-10 minutes of white noise and set it to play back that white noise as a loop.
  • The generated white noise from that computer was fed into the "Tape" input of the speech processor with the audio level set just high enough to properly drive it.
  • The audio output from the SP75 was fed into another computer running the Spectran (link) program - also free - which does audio analysis.  Another program that would work, but is more difficult to use with a much steeper learning curve, is "Spectrum Lab" (link).
The result of this was that I was able to compare the "flat" white noise input to the speech processor by the netbook with the audio spectra coming out of the SP75.  Ideally, the SP75 would not appreciably "color" the audio - that is, the the frequency response of the SP75 should be pretty "flat", not rolling off either the lows or the highs, at least in the frequency range used for speech (e.g. 100-300 Hz to 2700-3000 Hz or so).  Unfortunately, I can't seem to find the screen capture of that spectral plot or else I'd include it here.

By this point, I was fairly sure that I already knew the answer - and the above technique of "sweeping" the audio passband using white noise verified it:  The "low end" audio frequencies (below approximately 700 Hz) were being rolled off significantly - by 6-10 dB and more, explaining why my audio sounded so bad!

How the SP75 works:
 
Before we go on, a few words on how the SP75 works.

This is a combination AF/RF speech processor and it works by first routing the input audio through an XR2216 audio compressor chip.  Then, the audio is double-sideband modulated at around 459 kHz, filtered to produce a lower sideband signal using a pair of 455 kHz ceramic filters, RF clipped, filtered by another ceramic filter, and then demodulated back to audio.

By applying the clipping at RF, the resulting audio is devoid of harmonic distortion since the harmonics would occur at around 900 kHz instead of within the audio range itself.  The only real casualty being that there is now intermodulation distortion, but since the human voice largely contains sounds consisting of noise bursts (consonants) or voiced sounds with harmonics (vowels) the introduction of intermodulation distortion on speech, alone, has relatively little effect on the perceived quality and intelligibility if the clipping process is not taken to extreme.

By applying both audio compression - to assure a consistent amount of RF produced for the SSB modulator - and RF clipping, the "best of both worlds" in terms of audio processing can be applied in terms of improving the "peak-to-average" ratio for speech while minimally increasing the amount of perceived distortion.

What had gone wrong:

Because of the loss of low frequency audio, I figured that one (or more) of three things had happened:
  • One or more electrolytic capacitors in the audio path had dried out and decreased in value causing the loss of low frequency response.
  • The BFO, nominally at 459 kHz, had gone off-frequency and caused the audio passband through the filters to shift.
  • One or more of the 455 kHz ceramic filters had gone bad.
With the white noise applied to the input and still using the Spectran program to check the audio spectra I went though several of the audio test points noted in the manual, applied them to the audio input of the computer running Spectran and observed that at least to the balanced modulator, the audio was completely flat, ruling out the likelihood that a capacitor had gone bad.

I then fired up an SDR (Software Defined Radio) - an RF Space SDR-14 - and started probing around inside the SP75, noting that the BFO was, in fact, where it should have been:  within a few 10's of Hz of 459 kHz, ruling out the second probability of the above.

Connecting the input of the SDR-14 to test point 11, through a 2k resistor to minimize circuit loading, a location after all of the filtering and clipping and on the output of an amplifier stage, I centered the SDR on the passband - while still sending white noise through the SP75 - and looked at the resulting display and saw that it was anything but flat, indicating that one or more of the ceramic filters in the unit had, in fact, gone bad!

Identifying the ceramic filters:

In looking at the filters themselves they were clearly made by Murata, marked with "CFW455" followed by what looked like an "I6" printed in white ink while the schematic diagram simply called out a part number of "CFW455I".  In doing a bit of research on the web, I determined that the Murata "CFW455I" had the following specifications:
  • Center frequency:  455 kHz
  • Input/Output Impedance:  2 kohms
  • -6dB bandwidth:  +/- 2 kHz
  • Stop bandwidth:  +/- 7 kHz (at -50dB)
  • This device was a 6 pole filter
What was also apparent was that this particular filter was no longer being manufactured, so I started looking around for a replacement.
Figure 2:
The new filter (left) and the old filter (right). 
 All but one of the leads lines up with the original.
(When taking the picture, I cleverly rotated one of the filters
by 180 degrees, so keep that in mind!)
Click on the image for a larger version.

What I did NOT want to do was use "new-old" stock because of age-related degeneration with these parts.  Typically, these parts have silkscreened, silver-plated electrodes on the surfaces of their ceramic elements, but even though these are usually fairly well sealed, they gradually degrade for whatever reason, either due to slow corrosion of the potting compound that protects them, ingress of moisture from the environment, due to electrolytic degradation due to chemical reaction and/or voltage applied to their terminals, or maybe just the degradation of the potting compound and the plastic in which they are encased.

Whatever the reason for their degradation, I decided that I did not want to get "new" 10-20 year old parts and risk having them be out of spec!

In perusing the various catalogs I noticed that Murata still made a part that was electrically identical - the CFWLB455KJFA-B0, available from Mouser Electronics - so I ordered some.

Installing the replacement parts:

Figure 3:
New holes that need to be drilled into the board to accommodate the different pinouts of the new filters.
Note that this picture was taken before the old holes were completely cleaned of solder.  On the far right
hole, carefully avoid the adjacent trace - both when drilling, and when later soldering the jumper.
Click on the image for a larger version.

I'd ordered the CFWLB455KJFA-BO filters knowing ahead of time that while they were electrically identical, they were NOT mechanically identical, so with the new filters now in hand I set about modifying the SP75 circuit board after carefully removing the three original Murata ceramic filters using both a "solder sucker" and plenty of "Solder Wick" (tm).

Figure 4:
The trace at the center filter position (FL2) that
inevitably lined up with one of our newly-drilled holes.
Click on the image for a larger version.
As can be seen in Figure 2, the new filter is slightly smaller than the old one - and the pinout is slightly different, as well, but fortunately there is only ONE pin (the "output" - but these filters are bilateral, so it doesn't matter which is used for the input or output) that is actually in a different physical location which means that we need to drill just one hole for each of the filter locations.

Referring to Figure 3, above, you will note that the new hole is in line with an intersection of two imaginary lines drawn from other pins, so the new hole just needs to go, as shown in the picture, "above" the now-abandoned hole and inline with the "input" pin.

Of course, Murphy has to intervene as shown in Figure 4 where the extra hole drilled for FL2 ended up going right through through a trace on the top side of the circuit board.

Fortunately, we have the technology (a soldering iron, solder, a knife and wire) to relocate this trace and get around this problem,  literally!

Both ends of the trace that ran under the original filter were sliced with a sharp knife and the original trace was heated with a hot soldering iron so that it lifted off the board.  The "bloody ends" of the interrupted trace were then scraped clean of the green coating and a short piece (some #30 wire-wrap) of wire was soldered into placed, used to route around where the filter would be placed as depicted in Figure 5.
 
Figure 5:
The removed and re-routed trace using a short
piece of #30 "wire wrap" wire.
Click on the image for a larger version. 
Having done this, the board was now ready to receive the three new filters.

Because only the lead with the drilled hole does not match the original pinout, they may be (mostly) soldered as normal.  For that "other" lead, a short piece of wire - a trimmed component lead, for example - may be used to make the connection to the original, now-unused hole to the new pin as seen in Figure 6, below.

Figure 6:
On the bottom side of the board, the installed filters and the jumpers to the leads that connect
to the positions with the newly-drilled holes.
Click on the image for a larger version.

Meanwhile, on the top side of the board, the filters look like this:

Figure 7:
The new filters as viewed on the top side of the board.
The rerouted trace (the yellow wire) may be seen just to the left of the middle filter.
It is interesting to note that these "CFWLB455KJFA-B0" filters are actually marked "W455I"!
Click on the image for a larger version.

Getting the SP75 back into working order:
 
Firing up the SP75 after replacing the filters I noticed immediately that its audio didn't sound right - very "tinny", even worse than before.  Putting the white noise back into its input and connecting the SDR-14 to TP-11 I noticed immediately that the 459 kHz BFO frequency was entirely outside the passband of the 455 kHz filters.

What had happened?

From what I can tell, one of two things might have changed:
  • These new filters (CFWLB455KJFA-B0) are slightly narrower than the original CFW455I ceramic filters used by Drake.  In this scenario, the BFO and the edge of the audio passband would have been "moved" entirely outside the filter.  I have no way to know this for certain as the only filters I have for comparison are the now-30-year-old original filters.
  • The more likely scenario:  The original Drake filters were marked "CFW455I6" - a designation that doesn't seem to be correlate with anything in a catalog that I could find.  Perhaps the "6" indicates a center frequency of "456" kHz?  If this is the case, that would imply that the original filters were specially-selected for the higher center frequency and, perhaps, had matched bandwidths.  Based on what I was seeing, having the passband of the filter shifted up 1 kHz to 456 kHz would have put it in about the right place.
In either case, the original 459 kHz BFO frequency would not be suitable for the new filters, so how to change the BFO frequency?  The BFO frequency was originally set with a quartz crystal - a rather expensive component to have custom made - but there are two easy alternatives:
  • Slightly reworking the oscillator to use L/C components such as a 455 kHz IF "can" (transformer) as frequency-determining elements.  This would, at the very least, involve adding a series DC-blocking capacitor were this route taken. A bit of care would need to be taken to assure that this arrangement was temperature stable to within a few hundred Hz over the expected frequency range.
  • Using an inexpensive 455 kHz ceramic resonator - also available from Mouser.
I chose the latter since I had several of those, already on hand, plus they had the double advantage of being quite "pull-able" over the range of several kHz and they are fairly frequency-stable, likely to move only a few hundred Hz, at most, over the temperature range that one might experience.  As for the original 459 kHz crystal:  I have wrapped it in paper and plastic tape and secured it inside the SP75 case in case I need it for some reason in the future.

Figure 8:
A Murata 455 kHz ceramic resonator used in lieu of the original 459 kHz crystal and a 180 pF capacitor in parallel with the
frequency trimming capacitor - both components being mounted on the bottom of the board.  As noted in the text, the value
of this fixed capacitor was determined experimentally using the methods described in the text.
Click on the image for a larger version.
Simply dropping the 455 kHz resonator in place of the 459 kHz quartz crystal yielded a tuning range of about 460-463 kHz (the frequency range will vary depending on the nature of the resonator) so I had to "pad" C44, the 7-62 pF tuning capacitor with a 180pF capacitor - the value having been experimentally determined - to get it into the correct frequency range for the filters.  What I ended up needing for my filters was a BFO frequency of 458.7 kHz - easily within the tuning range of the 455 kHz ceramic resonator, but your specific BFO frequency may vary, depending on the ceramic filters that you end up with.

Comment: 
There's no real reason why LSB (lower sideband) must be used when picking the BFO frequency as these filters are symmetrical:  USB would have worked if the BFO frequency had ended up in the right (or wrong) place.
If you use an L/C network for setting the frequency, pick the frequency that gives the best results using the methods described below.  It so-happens, however, that ceramic resonators are easier to move up in frequency than down as this requires just series capacitance, so using a "high side" BFO and LSB is just easier in this case!

How to determine the correct BFO frequency for your filters:

To determine the correct BFO frequency I used the same method that I'd used to determine that the original filters had gone bad in the first place, that is:
  • Insert a white noise source - at just high enough audio level to drive the SP75, but low enough to avoid any overload or clipping - into the input of the processor.  The correct level is that which is just high enough to make the front panel "audio" light turn on solidly, and then just a little more.
  • Using a program like Spectran to observe the audio spectra, note the "flatness" of the audio output taken from the speech processor and fed into a computer.
By varying the BFO frequency one can see the effects of the filter's bandpass:  Too low a BFO frequency and the upper edge of the filter starts to cut off the low audio frequencies (the processor generates lower sideband, remember!) and too high, the intermodulation products of the clipping can start to affect audio quality if both sidebands are recovered and demodulated.

Because these ceramic filters are considered to be "low cost" they do have a bit of intrinsic ripple (their specifications are for +/2 dB of ripple)  and they do not have a "brick wall" response, so don't expect a superior "shape factor" - that is, a very abrupt cut-off - but rather a fairly gradual cutoff over the span of several hundred Hz or a kHz.  If you are a purist, you can order several extra filters so that you may pick and choose which one(s) give the best, overall response - but note that the circuit board cannot take very much soldering/unsoldering, so you would want to install sockets or some other temporary connections were you swapping filters in and out frequently!

By carefully adjusting the BFO frequency, one should be able to get a fairly flat frequency response down to 200 Hz or so and up beyond 3000 Hz, fully encompassing the frequency range of any transmit audio source that you'd be likely to use!

Consider the result below:

Figure 9:
The "sweep" of the audio output, using the "Spectran" program, of the SP75 after replacing the filtersusing
a white noise source on the input and sampling the audio on the output.  This is about as good as
one can expect using inexpensive ceramic filters like this, but listening  on the output with an audio
amplifier, it sounds quite good.
This "sweep" was produced with the Spectran program analyzing a white noise input
and averaging over 96 samples to help "smooth" out the result.  Even so, the "roughness" is still evident due to
the fact that we are, in fact, measuring the spectral energy of white noise as our original signal source!  Not shown in this
"sweep", the actual frequency response of the SP75 extended to nearly 5 kHz with gradual rolloff above 3 kHz.
Click on the image for a larger version.
Figure 9 shows a pretty flat audio output - within a few dB - from the SP75.  As noted in the caption, above, listening to an audio source inputted through the processor via an external amplifier, it does sound pretty "flat" to the ear.  As can be seen, there is a bit of roll-off below 1200 Hz and this is entirely due to the ceramic filters themselves, but this could, in theory, be corrected with a simple R/C network:  The roll-off below 100-200 Hz seems to be intentional by the designers of the SP75 and occurs mostly in the output stage, although a bit of it is, in fact, from the "edge" of the ceramic filters' response.

Wrapping it up:

Overall, I'm pleased with the result, even though the project was a bit more involved than I'd expected it to be.  Up to a clipping level setting of 6-9 dB, there is hardly any noticeable distortion added to the audio - just as it used to be when the SP75 was new!

Of course, a speech processor is one of those things that should be used sparingly.  Under normal conditions with good signals it is probably not needed at all and when conditions start to get a bit rough, the added compression - if not taken to a ridiculous level - it should add more "punch" to a signal than it would degrade the audio due to excess compression, clipping, distortion and/or coloration.  This particular processor's "clipping level" control goes all of the way to 20 dB - a ridiculous amount that yields results that may be intelligible, but are likely to be unpleasant, so that setting should never be used in any but the worst possible band conditions - if even then.

Note: 
It is worth paying very close attention to the SP75 manual in setting up the input and output levels for the SP75 for the microphone that you plan to use. Unfortunately, if you use several different microphones with the SP75 and they each have wildly different output levels, things get very complicated as only the microphone on which the SP75 was originally set up will be driven properly unless you have outboard attenuators on the microphones to assure that they all have about the same levels!
If the input level is too high, there may be too much audio compression in the XR2216 stage while if too low, the efficacy of the processor itself is reduced.
Also, the output level control should be set so that the audio level is the same when the processor is switched out (e.g. bypassed) and in with clipping set to 0 dB.
[End]

This page stolen from ka7oei.blogspot.com